THAT BLOODY WOMAN
An irreverent and inspirational rock musical about iconic Kiwi suffragist Kate Sheppard and the movement she led to make New Zealand the first country in the world to grant women the vote.
Show Essentials
13
Roles
+ Ensemble
MA 15+
Rated
1
Act

Full Synopsis

In 1868 Kate Sheppard embarks on a long journey from the motherland. Three months on a ship sailing to the bottom of the world. To New Zealand. A South Pacific paradise. An egalitarian Eden. A land of, ‘limitless opportunity’ blind to race, class or creed. Or so the posters said.

She settles in the South Island, in Christchurch. She marries an accountant called Walter. She has a son named William. She meets her best friend Jennie and her husband William. More on him later.

The depression of the 1880’s leads to a culture of alcoholism and abuse all too common in New Zealand households. Women are being beaten in their homes. Men are getting drunk and drowning in the Avon River. Kate starts to see New Zealand for what it really is. A little Britain with the same old shit in. She sees the rampant social and economic inequities that exist for women but doesn’t yet know what to do about it.

Untill she goes to a freak show on May 10th, 1885 - Mary Leavett, from the Women’s Christian Temperance Union of the United States. Leavett speaks with more passion and soul than any man Kate has ever seen. This is the wake-up call Kate is waiting for.  She establishes the Christchurch branch of the WCTU along with her sisters in arms Ada Wells and Jennie Lovell-Smith. They write letters, hand out leaflets, sing songs but nothing changes. Women have no power - socially, economically or politically. She realises nothing will change until women have the right to vote.

In 1891 she starts a petition to persuade the men in power  to grant women the vote. Women cycle all over the country to collect signatures.A mobile militia.  Pushing the pedals for a revolution. Ten thousand people sign but it’s not enough to win the vote. But it is enough to wake the dragon.

A dragon named Dick. King Dick. The Premier Dick. A barrel-chested behemoth who will stop at nothing to crush Kate and all who follow her. A stooge of the liquor lobby he leads his lackeys in the house to discredit and distort Kate’s message.

Kate tries again - a second petition gaining twice as many votes, but King Dick stymies her efforts again. She is devastated. Exhausted. Walter tells her he is taking their son back to England. She says no but a child is the property of the father so she has no say. She is also in love with William, her best friend’s husband, but nothing can happen there. Kate is alone. Her child has been taken away. Her cause has been taken away. .. By men. She is ready to give up.

But the women gather. Ada, Jennie, then more. They urge her to continue. They lift her up and give her the energy to lead them one more time. One final push.  The women surge across the nation. An unstoppable tsunami. A wave of change sweeping all before them. Thirty thousand signatures. A quarter of the population. The petition goes to Parliament and the writing is on the wall. Dick’s men, like rats on a sinking ship, turn on him and the women’s franchise bill passes.

Kate has won. New Zealand becomes the first country in the world to grant women the right to vote in parliamentary elections. Kate has led a movement that changed a nation and changed the world.

“All that seperates of race, class, creed or sex is inhuman, and must be overcome.”

 

Casting
← Back to THAT BLOODY WOMAN
Cast Size: Small (Up to 10 performers)
Cast Type: Ensemble Cast
Dance Requirements: Standard

Character Breakdown

Kate Sheppard

Female, lead suffragist. A rock star. A leader. Outrageous  rock/musical theatre voice and strong belt required.

 
Gender: female
Vocal range top: E5
Vocal range bottom: F3
Kate’s Uncle

Male, non-singing. Scottish accent. Part of ensemble

Gender: male
Kate’s Father

Male, non-singing. Part of ensemble.

Gender: male
Walter Sheppard

Male. Strong rock voice and falsetto. Part of ensemble.

Gender: male
Willam Lovell-Smith

Male. Strong rock voice and falsetto. Part of ensemble.

Gender: male
Jennie Lovell-Smith

Female. Strong rock/indie/musical theatre voice.

 
Gender: female
Ada Wells

Female. Strong rock/indie/musical theatre voice.

Gender: female
Vicar

Male or Female. Comedy chops, strong and flexible musical theatre voice.

Gender: any
Mary Leavitt

Female. Fantastic rock/gospel/musical theatre voice.

 
Gender: female
Richard “King Dick” Seddon

Male. Prime Minister and Kate's nemesis. Incredible rock/soul bari-tenor, who can groove and rap. Physically imposing.

Gender: male
Sir John Hall

Male or Female. Strong all round musical theatre voice.

Gender: any
Sir John Ballance

Male or Female.

Gender: any
Ensemble - Female (& optional Male)
Array
Gender: any
Full Song List
THAT BLOODY WOMAN: That Bloody Woman
THAT BLOODY WOMAN: History/Herstory
THAT BLOODY WOMAN: God’s Own Country
THAT BLOODY WOMAN: Amen
THAT BLOODY WOMAN: Punchdrunk
THAT BLOODY WOMAN: Change Doesn't Come For Free
THAT BLOODY WOMAN: Last Drinks
THAT BLOODY WOMAN: Quarter Acre Dream
THAT BLOODY WOMAN: Last Drinks (Reprise)
THAT BLOODY WOMAN: Tricky Dicky
THAT BLOODY WOMAN: Enough
THAT BLOODY WOMAN: Two Johns
THAT BLOODY WOMAN: Ride On
THAT BLOODY WOMAN: Petticoat Government
THAT BLOODY WOMAN: Things Unread, Things Unsaid
THAT BLOODY WOMAN: F**k F**k F**kity F**k
THAT BLOODY WOMAN: The Man With Two Wives
THAT BLOODY WOMAN: Hands Off My Property
THAT BLOODY WOMAN: Tempest in Your Longing Soul
THAT BLOODY WOMAN: The Line
THAT BLOODY WOMAN: The World Was Made For Women Too
THAT BLOODY WOMAN: Finale

Show History

TBW was commissioned by the Christchurch Arts Festival in 2015. It was then programmed at the Court Theatre in Christchurch and at the Auckland Theatre Company. In 2017, the show toured New Zealand.

Critical Reaction

Excellence Award - overall production - Auckland Theatre Awards, 2016

Billing

Requirements

You must give the authors/creators billing credits, as specified in the Licence Agreement, in a conspicuous manner on the first page of credits in all programs and on house-boards, displays and in all other advertising announcements of any kind. You agree to supply to the Licensor full details of all such material for Licensor’s approval prior to printing and distribution and supply two (2) copies of the program after printing.
Percentages listed indicate required type size in relation to title size.

Short Form Billing

 

THAT BLOODY WOMAN

By Luke Di Somma & Gregory Cooper

by arrangement with Music Theatre International, Australasia

 

Long Form BIlling

THAT BLOODY WOMAN

By Luke Di Somma & Gregory Cooper

Orchestrations by Luke Di Somma, Andy Manning, Cameron Burnett, Tim Heeringa & Hannah Elise

Originally commissioned by the Christchurch Arts Festival

Originally directed by Kip Chapman

by arrangement with Music Theatre International, Australasia

 
 
 
The videotaping or other video or audio recording of this production is strictly prohibited