Billing

Requirements

You must give the authors/creators billing credits, as specified in the Licence Agreement, in a conspicuous manner on the first page of credits in all programs and on house-boards, displays and in all other advertising announcements of any kind. You agree to supply to the Licensor full details of all such material for Licensor’s approval prior to printing and distribution and supply two (2) copies of the program after printing.
Percentages listed indicate required type size in relation to title size.

Long Form Billing: for programs and websites

MIDNIGHT (100%)

The Cinderella Musical (30%)

 

Music and Lyrics by

John Foreman and Anthony Costanzo (15%)

with Additional Music and Lyrics by Kate Miller-Heidke (15%)

Book by Dean Murphy and Pip Mushin (15%)

 

Originally developed for the stage by Aspect Entertainment and Sounds Write Productions in

conjunction with Lascorp Entertainment and Fractured Limb Productions. (10%)

Original production directed by Dean Murphy & Pip Mushin (10%)

 

Licensed exclusively by Music Theatre International. (25%)

 

Short Form Billing: for posters, billboards and advertisements.

MIDNIGHT (100%)

The Cinderella Musical (30%)

Music and Lyrics by

John Foreman and Anthony Costanzo (15%)

with Additional Music and Lyrics by Kate Miller-Heidke (15%)

Book by Dean Murphy and Pip Mushin (15%)

 

Licensed exclusively by Music Theatre International. (25%)

 

The videotaping or other video or audio recording of this production is strictly prohibited
MIDNIGHT: The Cinderella Musical
Featuring a passionate, feisty, and funny young heroine who doesn’t need or want a so-called Prince Charming. Can all be achieved before MIDNIGHT?
Show Essentials
22
Roles
G
Rated
2
Acts

Full Synopsis

ACT ONE:

We begin our story with a young child, Stella, alone in her bedroom. Unable to sleep she discovers a leather bound book and begins to read. As she reads we are transported into the fairytale world of MIDNIGHT.

Our focus begins on Ella, another young girl of similar age to Stella and explores her early years including the loss of her mother at a young age and a chance meeting with a young noble boy in the markets.

Eventually we meet Ella at 20 who is living with her father and working to continue her mother’s legacy helping those less fortunate than herself. A surprise visit from three strangers quickly turns Ella’s world upside down as she learns her father has married Madame Bellington whilst he has been away on his last trip, and she has arrived early with her two daughters to begin their new lives. Ella and her new step sisters clash as they have very different priorities with the sisters trying to get away with murder in their new house. Ella takes solace in the memory of her mother’s wisdom and rises above the challenge to sing of all the possibilities life can bring (WHY CANT I).

We switch our focus to meet the Prince and his friend Andre who are wiling away the hours in the Prince’s quarters and are confronted by the King who pressures the Prince to get his act together and choose a wife so he can follow in his footsteps as ruler of the masses. Unwilling to commit the Prince opts to head to the woods for some breathing space where he meets a young lady (Ella) who does not recognise him as a noble of the land and confuses him for a kids entertainer.

The Prince quickly learns of Ella’s opinions on how the kingdom is being run and the damage it is causing to the people. As challenging as this is for him to hear the Prince is struck by how engaging and driven this enchanting stranger is and is himself reminded of the dreams he too once had for a better life for the people he is destined to rule. With Ella not telling the Prince her name or anything about her, the Prince tries to find her again by returning to the same spot each day.

Ella meanwhile returns home to discover that her father has been killed whilst away on business and begins to question who she is without her parents to guide her. With Father out of the picture Madame Bellington quickly swoops in to take control of the household.

After weeks of searching for the unknown girl he met in the woods the Prince eventually decides to take a new approach and concedes to the King’s wishes to hold a lavish ball to find him a bride. If he invites all the maidens in the land then surely she will come?

ACT TWO:

The town crier announces that the palace will be holding a ball to find the Prince a bride and all the kingdom begins to prepare to be the best dressed for this grand event. Everyone that is except Ella who has been tricked by her Step mother and locked in the attic. She quickly learns that she is not alone up there as her life long companion, Teddy bear Mr Abernathy, begins to talk and berates her for sitting around and not getting ready for the ball. Ella is persuaded to attend so that she can try and convince the Prince that he needs to change the way the royal family is behaving.

As the ball begins Ella is kept from entering due to the poor way she is dressed and retreats back to her home where she is met by Mr Abernathy and a strange lady Ms Madrina who inspires Ella to play the game and ‘dress to impress’ in order to get her way to the Prince. With renewed vigour Ella heads back to the ball where she quickly connects with the Prince. As the two begin to understand that they want the same things, the King and the Emperor are planning the Prince’s marriage to the Emperor’s daughter as part of a long standing arrangement forced upon the King.

When the Prince learns of his Fathers plans he realises that if he doesn’t marry the Princess of Veronia then their entire Kingdom will be annexed and fall under the rule of the evil Emperor. Unsure of how to proceed the Prince chooses to belittle Ella in an effort to make her run far from here to safety. As the King announces that the Prince and Princess will be wed, we see Ella back in the attic with Mr Abernathy trying to understand what has just happened.

As time passes we see the Prince who has begun to question his choice of methods in trying to save his kingdom by alienating and being cruel to Ella. Desperate to let her know the truth he devises a cunning plan to find her and sets his men searching all the land for the girl who fits the shoe that Ella dropped at the ball. As this plan delivers a myriad of women who fit the shoe the Prince realises just how ridiculous a plan it was and instead follows his heart back to the river in the woods where they first met. Here he finds Ella and explains everything that he has done. Upon hearing his story Ella realises that the Emperors devastating plan has one unexpected flaw and swiftly moves into action with the Prince to set things right.

They travel across the kingdom and confront the Emperor with the King and Princess of Veronia in tow. Ella outlines how the Emperor has wrongly assumed leadership as in his kingdom the throne passes through the female blood line and the rightful ruler is his daughter the Princess of Veronia. The Princess makes quick work of setting things right and dissolving her engagement to the Prince as she loves another, leaving the Prince and Ella free to find happiness with one another.

Casting
← Back to MIDNIGHT: The Cinderella Musical
Cast Size: Large (21 or more performers)
Cast Type: Ensemble Cast
Dance Requirements: Standard

Character Breakdown

Ella

Full of life, passion and spirit, from a young age Ella has run her own race and certainly has the courage of her convictions. With no challenge too daunting - after all, her life’s ambition is to make the world a better place – Ella is a breath of fresh air, in a world that has some rather strange, rather old-fashioned traditions.

Think quirky, unique, idiosyncratic and unconventional. A great singer and actor, our Ella can play comedy in her sleep and her meagre entry onto the stage makes one sit up and take notice.

Vocal Type: Contemporary High Alto with strong Belt

Gender: female
Age: 20 to 30
Vocal range top: E5
Vocal range bottom: G3
The Prince

Well-meaning yet a touch naïve, the Prince has relied on his name and status for pretty much most of his life. Long since given up trying to challenge the old-fashioned traditions of the Kingdom, the Prince has settled for a relatively comfortable life - drinking champagne at the opening of a gallery or playing darts with his sycophantic friends. That said, deep down the Prince is aware of right from wrong, if only someone of conviction would stumble into his life, and open his eyes.

Despite his flaws, the Prince does have a certain charm. Think Roger Ramjet rather than a blandly handsome Prince. His foibles are as endearing as they are annoying and he can certainly make you laugh, even if he’s not intending on it.

Our Prince is a great comic actor who can charm you one minute and infuriate you the next.

A great singer the Prince could be everything one would want in a Prince… the only problem is, he isn‘t.

Vocal Type: Contemporary High Tenor with strong Falsetto

Gender: male
Age: 25 to 35
Vocal range top: Ab4
Vocal range bottom: C3
The King

Larger than life, our King is confident, brash and the life of the party. He reigns with one simple rule…it’s my way or the highway. That said, there’s more to our King than meets the eye and when push comes to shove, he’s really a bit of a softy underneath.

Vocal Type: High Baritone

Gender: male
Age: 45 to 70
Vocal range top: G4
Vocal range bottom: A2
MS Madrina/Lillicroft

Lillicroft is the housekeeper for Ella and her father. She has helped raise Ella after her mother passed away and is deeply maternal and caring.  Light-hearted and a ray of sunshine.

Ms Madrina is the magical heart of MIDNIGHT. She is vivacious and funny and a little bit left of centre. She has spent years watching over Ella as her Fairy Godmother but in disguise as Ms Lillicroft.  She may not always cast the right spell but does always get the job done!

Vocal Type:Mezzo

 

Gender: female
Age: 35 to 50
Vocal range top: C5
Vocal range bottom: A3
Madame Bellington

Madame is certainly a force to be reckoned with. Smart, with a sense of humour, Madame is not always quite what she seems. She can charm your socks off one minute and make your hair stand on end the next. Madame knows what she wants and woe to anyone who stands in her way.

Vocal Type: Hight Soprano

Gender: female
Age: 40 to 55
Vocal range top: A5
Vocal range bottom: C4
Andre

Andre is the Prince’s right hand man, best friend and confidante, and is one funny guy, even though he doesn’t realise it. He can be quirky, witty and occasionally even quite bright. We’re looking for someone with great comedic skills who is ultra-likeable.

Vocal Type: High Baritone

Role can also be performed by the same actor as Mr Abernathy

Gender: male
Age: 20 to 30
Vocal range top: G4
Vocal range bottom: A2
Mr Abernathy

Mr Abernathy is brash, sweet, funny, annoying, chirpy and sulky. Yes, he’s a contradiction all right. He’s really whatever Ella needs him to be. He’s Sammy Davis Jnr meets Robin Williams. Mr Abernathy is the voice of a puppet in Act 1 who comes to life in the Act 2 and wows us as an all singing, all dancing bear.

Vocal Type: Baritone

Role can also be performed by the actor playing Andre

Gender: male
Age: 20 to 45
Vocal range top: F4
Vocal range bottom: A2
Tiffany Bellington

The daughter of Madame Belington, Tiffany is fiercely loyal to her family and won’t let anyone get in her way. She’s got a chip on her shoulder the size of a tree trunk and she’s as mean as she is snarly.

Vocal Type: High Alto / Soprano

Gender: female
Age: 20 to 30
Vocal range top: A5
Vocal range bottom: C4
Rosalie "Rosie" Bellington

Tiffany’s younger sister, Rosie is sweet and delightful. She loves her family but doesn’t quite understand their behaviour much of the time. Her family just think she’s young and naïve, however there might just be a bit more going on inside that head than most give credit for. 

Vocal Type: High Alto / Soprano

Gender: female
Age: 18 to 25
Vocal range top: A5
Vocal range bottom: C4
Father

Loyal, good natured and generous, Father loves his family and his daughter Ella is quite simply the apple of his eye. Father will go out of his way to help those close to him. He is well travelled, wise and has a heart of gold.

Vocal Type: High Baritone

Gender: male
Age: 40 to 60
Vocal range top: G4
Vocal range bottom: A2
Stella

Delightful and feisty, 10 year old Stella is full of energy. She is a curious kid who can be a little naughty at times. 

Not required to sing

Gender: female
Age: 8 to 10
Princess of Veronia/Ensemble

The Princess of Veronia is the daughter of the Emperor from the neighbouring kingdom and has grown up knowing the Prince as almost a brother to her.  She is smart and worldly.

Vocal Type: No solo vocals so can be drawn from female Ensemble

Gender: female
Age: 20 to 30
Emperor/Cloverbelli/Ensemble

The Emperor is manipulative and scheming. He has ambitions to take over the rule of Glenrovia from the King and will stop at nothing to get his way.

Vocal Type: Expressive Baritone

Cloverbelli is the warm hearted Italian neighbour of Ella and her Father, always there to lend a hand. He and Mrs Lillicroft have been with Ella her whole life and in many ways are almost her grandparents.

Vocal Type: Expressive Baritone

Is also a member of the male ensemble listed below

Gender: male
Age: 40 to 60
Vocal range top: F4
Vocal range bottom: F2
Female Ensemble

Vocal Types: 3 x Alto / 3 x Soprano (Strong Belt Required / Contemporary Sensibility)

1x Female ensemble to also play Princess of Veronia

Gender: female
Male Ensemble

Vocal Types: 1 x Bass / 2 x Baritone / 2 x Tenor / 1 x Tenor 1 (Contemporary Sensibility)

1x Baritone would also play Emperor/Cloverbelli

Gender: male

Critical Reaction

“A night of Australian musical theatre that you will not want to miss!” – Broadway World

“This magical Broadway-style musical will enchant.” – Time Out

“A rollocking good time.” – Weekend Notes

“A wonderland of songs…a marvellously feisty Ella…a fairy dust sprinkle of distinctly Australian humour.” – Herald Sun