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The Full Monty
A raucous, pop-rock-musical send-up of gender expectations and stereotypes... that takes it all off.
10
Roles
+ Ensemble
R
Rated
2
Acts
Full Synopsis

Act One

Present day. Buffalo, New York. The recession has hit, and many of the men in the community have been laid off from their jobs at the steel factory. The women of the city, many of whom are supporting their husbands at this time, seek entertainment and they find it onstage at Tony Giordano's club. It's Girls' Night Out and the feature attraction onstage is Buddy "Keno" Walsh – a male stripper who is the personification of male physical perfection and who makes a wad of cash for showing it off. While the women are having a night out, the guys are at the union meeting house to pick up their weekly unemployment checks. Their discontent is beginning to show, and Jerry Lukowski commiserates with his best friend, the hopelessly overweight Dave Bukatinsky. They are joined by the somewhat simple-minded, but good-hearted Ethan Girard and the sweet Malcolm MacGregor, who lives alone with his infirm mother. All of the men are depressed and defeated by their unemployment, their loss of identity and their inability to provide for themselves and their families ("Scrap").


After the meeting, Jerry, who shares custody of his twelve-year-old son, Nathan, takes him to the bus so that he can go back to his mother. Nathan is encouraging about Jerry getting a job, but Jerry explains that he is waiting for the right situation – he doesn't want to bus tables. Nathan tells Jerry that he loves him and leaves.

In the meantime, Dave has been admiring the pictures of Keno that are outside of the club. Jerry says that they could look like that if they wanted, but they don't... because they're real guys. When they overhear two women excitedly going into the club, Jerry asks the women what the strippers have that he doesn't have – their answer is: everything. When Jerry finds out that Dave's wife, Georgie, is in the club, watching, he insists that Dave go into the club and bring her out; even though he doesn't have a job, he still needs to assert himself as a man. Dave says that he can't – he has to go home and do the dishes. At Jerry's urging, they sneak in through the window of the men's room. Georgie and three friends enter the men's room; Jerry and Dave take refuge in any empty stall while Georgie and her friends celebrate their power ("It's a Woman's World"). Jerry's ex-wife, Pam, joins the three women, and Jerry and Dave overhear revelations about one other from the women. The women leave, and Jerry and Dave soon find themselves confronted by Keno in a G-string, making a quick-change into a cowboy outfit. Keno mistakes Jerry for a new dancer for the evening, and Jerry acidly proclaims his heterosexuality. Keno bitchily dismisses him, and, after Jerry takes a swing at Keno and misses, the stripper slugs him hard. Dave apologizes, explaining that they've been out of work for 18 months and are at the end of their rope. Keno understands; his brother left Albany for the same reason. After Keno leaves, Jerry begins brainstorming. Keno mistook him for a stripper; if he and Dave were to strip, they could clean up. Dave needs to be convinced, so Jerry does his best ("Man").

The next day, Pam serves Jerry with papers that threaten to take Nathan away because Jerry owes child support. Pam is now living in a nice neighborhood with a more stable man, Teddy Slaughter, who has asked to marry her. Pam tells Jerry that he should take any kind of job that he can get and start to grow up. After an unpleasant confrontation with Teddy, Jerry leaves, more determined than ever to make his stripping plan work. Jerry and Dave are jogging when they come upon Malcolm, who is attempting suicide by asphyxiation. They save him and offer him, first, alternative ways to commit suicide, and, then, help ("Big Ass Rock"). Jerry invites Malcolm to join him in stripping and, since Malcolm has a part-time job as the night security guard at the abandoned steel plant, they now also have a place to rehearse.

Later, Jerry engages Nathan to find them a dance teacher, and Nathan takes them to a dance school, where they meet their old boss, Harold Nichols, and his wife, Vicki. They're brushing up on their cha-cha for a trip to Puerto Rico. Harold hasn't yet told Vicki that he has been out of work for the past six months and, through desperation and the hint of blackmail, Harold agrees to become the guys' choreographer. Before he can agree to that, Vicki comes over and sings his praises ("Life with Harold"). In the wake of her explaining her love for him, Harold agrees to help out... for the money and because he can't bear to let Vicki down. 



Now at auditions, it is not going well. Still, their showbiz-savvy accompanist, Jeanette Burmeister, tells them that they'll know when the right guys shows up. Enter Horse, a gnarled, depressing and seemingly arthritic 50-year-old man who seems to fulfill a certain kind of fantasy ("Big Black Man"). Later, the good-natured Ethan shows up and openly proclaims that he can't dance or sing, but that he has something to offer. He drops his pants and it's clear what he means.

That night, while Georgie sleeps, Dave confronts his body image. At the same time, Harold reflects on his adoration of Vicki ("You Rule My World").

At their first rehearsal the following day, Harold is having a rough time getting the guys to do anything together. While Horse is off in the corner rehearsing the funky chicken, Ethan and Malcolm bond over a shared affection for the film, The Sound of Music. However, when Harold compares choreography to basketball, Jerry picks up on an idea, and suddenly their moves become teamwork ("Michael Jordan's Ball").

Act Two

At rehearsal a week later, the mistress of understatement, Jeanette, acknowledges that things could be better... and she should know, given the things that she's seen in her career ("Jeanette's Showbiz Number"). In order to perform at Tony Giordano's club, Jerry needs to come up with $1,000 as a deposit. He tries to get it from Pam, but she'll have none of it. Nathan, however, has money from his college savings account and gives it to Jerry. Jerry watches his son sleep and is moved by the love that he feels ("Breeze off the River").

Elsewhere, Harold persuades Vicki to leave the house so that they can hold a rehearsal there. Jerry has given their group a name: Hot Metal. This is the day that the guys are going to take off all of their clothes in front of each other for the first time. They are fraught with anxiety. When they are hypercritical of the sexy women in a Victoria's Secret catalog, they realize that their audience might be just as critical of them ("The Goods").

Nathan has gathered a small audience from a nearby nursing home for the final dress rehearsal at the steel plant but, as they are taking off their first layer of clothing, the police raid the show. In the confusion that follows, Malcolm and Ethan successfully escape to Malcolm's home, where their attraction to one another is almost acknowledged, until Malcolm realizes that something is wrong with his mother. Pam and Teddy arrive at the police station to pick up Nathan, and it's very clear to everyone that, even if Jerry were to come up with the child support money, he wouldn't be able to share custody of Nathan.

At his mother's funeral, much to the surprise of Jerry and Dave and a few other mourners, Malcolm expresses his loneliness and longing and finds that both will be ended by the warm heart and hand of Ethan ("You Walk with Me"). It turns out that the show isn't exactly selling well. The women don't know why they should pay money to see amateurs when they just had the real thing with Keno. Jerry explains that their act is different because they go all the way – they do the Full Monty. This gets the women's attention, and tickets start selling.

Dave, meanwhile, takes a job at Wal-Mart and tells Jerry that he won't be performing in the show. Jerry feels betrayed. When Dave gets home, Georgie confronts him, thinking that he has been cheating – she has found his stripping costume. Embarassed, he confesses what he had been up to with the guys; she is relieved and supports him. She reaffirms her love for him, and he for her. At the same time, when Vicki finds out that Harold has been out of work, she reminds him that she loves him for himself, not for what he can buy her ("You Rule My World – Reprise"). 



It's the night of the show. Backstage at Tony Giordano's club, nervousness runs high. Jeannette wishes all of the guys good luck, and Vicki reveals that Harold has gotten a job but, despite no longer needing the money, he is going through with the experience. Even Keno shows up to see if the guys will really go all the way.

Before they take their places, Jerry decides that, since Dave chickened out, he also isn't going to do the show. But then Dave shows up, and Jerry no longer has an excuse not to go through with it, except his old refrain – he's a failure. The rest of the guys are going to do the show but, without Jerry, they won't do the Full Monty. They take their places onstage and the number begins. Backstage, Nathan confronts Jerry about why he isn't out there with the rest of the guys. He tells Jerry not be what everyone thinks he is – a loser. Jerry realizes that this is a real opportunity to show the people who love him that he can follow through and not be afraid of his dreams and the responsibilities that they bring. He joins his friends on stage midway through the number and, by the end of the show, we know that The Full Monty isn't just about showing off the outside, it's about what all of us have in the inside ("Let It Go").

Jerry Lukowski

An unemployed mill worker, fighting to maintain his pride and the custody of his only son. All-American jock and the definitive man's man. Spontaneous. Very prideful.

Gender: male

Vocal range top: Db5

Vocal range bottom: B2

Pam Lukowski

Jerry's estranged wife and high school sweetheart. She wants what is best for her son. Strong business woman, but also compassionate and motherly.

Gender: female

Vocal range top: Ab4

Vocal range bottom: Eb4

Dave Bukatinsky

Jerry's best friend and fellow unemployed mill worker. Very much a man's man, but more of a follower than leader. The definitive sidekick. Prideful. Self-conscious about his size.

Gender: male

Vocal range top: Db5

Vocal range bottom: B2

Georgie Bukatinsky

Dave's wife. She loves her husband, and worries about him. Loud, outgoing and brash. She is the "leader" of her group of girlfriends.

Gender: female

Vocal range top: D5

Vocal range bottom: G3

Harold Nichols

An unemployed supervisor at the mill. Hot Metal's choreographer. Thinks his worth comes from providing for his wife, so he hides his unemployment from her.

Gender: male

Vocal range top: Ab4

Vocal range bottom: B2

Vicki Nichols

Harold's wife. She enjoys the finer things in life. Loves her husband more than anything, and supports him no matter what.

Gender: female

Vocal range top: D5

Vocal range bottom: G3

Malcolm Macgregor

An unemployed mill worker. Lives at home with his mother. Depressed, suicidal, awkward, and feeble. Pigeon-chested. Finds comfort in Ethan.

Gender: male

Vocal range top: E5

Vocal range bottom: C#3

Ethan Girard

An unemployed mill worker. Lonely. Has a blind determination and confidence to succeed. Finds company with Malcolm.

Gender: male

Vocal range top: Ab4

Vocal range bottom: B2

Noah "Horse" T. Simmons

A retired mill worker. Embarrassed about being an "average sized" Black man. Despite being old and slow when walking, he still has explosive dance moves. Frequently grumpy.

Gender: male

Vocal range top: Bb4

Vocal range bottom: C#3

Jeanette Burmeister

A piano player of indeterminate years and show-business pro. Sassy, quick-witted, and larger than life. Has slowed down in recent years.

Gender: female

Vocal range top: Bb4

Vocal range bottom: F3

Ensemble

Critical Reaction

''The Full Monty is that rare, aggressive crowd pleaser that you don't have to apologize for liking."
– The New York Times

"It's a one-of-a-kind Broadway musical... the most daring, yet successful Broadway adaptation of a movie script."
– NY Post

"Makes wonderful, timely, intelligent, tuneful singing and dancing out of a well-liked movie."
– Entertainment Weekly

"Sharply poignant, hilarious... bright up-beat jazz-tinged score...."
– talkinbroadway.com

Critical Reaction

''The Full Monty is that rare, aggressive crowd pleaser that you don't have to apologize for liking."
– The New York Times

"It's a one-of-a-kind Broadway musical... the most daring, yet successful Broadway adaptation of a movie script."
– NY Post

"Makes wonderful, timely, intelligent, tuneful singing and dancing out of a well-liked movie."
– Entertainment Weekly

"Sharply poignant, hilarious... bright up-beat jazz-tinged score...."
– talkinbroadway.com

Billing

Book by
Music and Lyrics by

Requirements

You must give the authors/creators billing credits, as specified in the Licence Agreement, in a conspicuous manner on the first page of credits in all programs and on house-boards, displays and in all other advertising announcements of any kind. You agree to supply to the Licensor full details of all such material for Licensor's approval prior to printing and distribution and supply two (2) copies of the program after printing.
Percentages listed indicate required type size in relation to title size.
THE FULL MONTY
The Broadway Musical
(100%)
 
Book by
Music and Lyrics by
TERRENCE MCNALLY
(50%)
DAVID YAZBEK
(50%)
Based on the Motion Picture released by Fox Searchlight Pictures
and written by Simon Beaufoy, produced by Uberto Pasolini
and directed by Peter Cattaneo
(25%)
 
[The names of the Composer/Lyricist and Bookwriter shall be equal in size, type, coloring, boldness and prominence.  No billing shall appear in type larger or more prominent than the billing to the Composer/Lyricist and Bookwriter except for the title of the Play.]

Originally Produced for Broadway by
Fox Searchlight Pictures, Lindsay Law, and Thomas Hall
World Premiere at The Globe Theatres, San Diego, CA
(25%)
 
[*The Broadway Producer and Globe Theatre credits need only be given on the main credit page in all theatre programs]                            
Orchestrations By
Vocal and Incidental Music Arrangements By 
Dance Music Arrangements By
Harold Wheeler
Ted Sperling
Zane Mark
[**The Orchestrator and Arranger credits shall be in the same size, prominence and style of type as that used for the musical director’s credit, and need only be given on the main credit page in all theatre programs, on houseboards and in all advertising and publicity in which the musical director is billed]

Video Warning

The videotaping or other video or audio recording of this production is strictly prohibited

Included Materials

Resource Quantity
SFX:OPENING NUMBER STRIP MUSIC 1
LIBRETTO/VOCAL BOOK 25
PIANO CONDUCTOR'S SCORE 2

38.0059645, -87.5494745

39.8830406, -83.0932843

44.9745915, -93.1303773

40.0328524, -75.6218929

39.8044685, -84.2039859

51.134655, -2.987399

50.3817034, -4.1105386

50.7872014, -1.0813252

51.6538856, -3.0209673

49.3545444, 16.0126252

52.411914, -1.7801422

41.5503298, -74.7530681

45.0495223, 9.6907072

52.6319252, -1.1291247

44.8141991, 9.9813073

53.4310321, -1.3517569

50.813672, -0.370311

56.4724148, -2.9109027

43.9304609, -78.8804244

40.5382743, -78.3817122

42.1653225, -84.4021603

39.7618718, -84.1902044

43.507017, -80.5556683

52.0610466, -2.7187624

39.4606755, -82.2318223

29.0280044, -81.3062575

41.3938207, -81.7628856

41.3824003, -73.9470725

41.3765947, -71.8282454

52.7274372, -1.1364883

32.2323976, -80.8587951

53.3015864, -1.4754526

54.9476333, -1.601537

38.0059645, -87.5494745

39.7617452, -75.5212099

Title Address Organization Website Date Venue
The Full Monty

7015
Evansville, IN 47711
United States

Stagetwo Productions to Stagetwo Productions
The Full Monty

3981 Broadway Street
Grove City, OH 43123
United States

Little Theatre Off Broadway http://www.ltob.org to Little Theatre Off Broadway
The Full Monty

102 Maywood Place
Saint Paul, MN 55117
United States

Theatre 55 http://theatre55.org to Theatre 55
The Full Monty

P.o. Box 260
810 N. Whitford Rd
Lionville, PA 19353
United States

Barley Sheaf Players http://www.barleysh… to West Chester And Barley Sheaf Players
The Full Monty

1301 E. Siebenthaler
Dayton, OH 45414
United States

Dayton Playhouse http://www.daytonpl… to Dayton Playhouse
The Full Monty

Mcmillan Theatre
Bridgwater
TA6 4PZ
United Kingdom

21st Century Productions to Mcmillan Theatre
The Full Monty

Muse Theatre
Plymouth
PL4 7PG
United Kingdom

That Musical Theatre Company to Muse Theatre
The Full Monty

Kings Theatre
Southsea
PO5 2QJ
United Kingdom

King's Theatre to Kings Theatre
The Full Monty

Congress Theatre
Cwmbran
NP44 1PL
United Kingdom

Christchurch Music Society to Congress Theatre
The Full Monty

Jupiter Club VelkAc Mezi?A?A
Velke Mezirici, Czech Republic
594 01
United Kingdom

Divadlo Ikaros to Jupiter Club VelkAc Mezi?A?A
The Full Monty

The Core Theatre
Solihull
B91 3RG
United Kingdom

St. Augustine's Musical Theatre Company to The Core Theatre
The Full Monty

39 Forestburgh Road
Forestburgh, NY 12777
United States

Forestburgh Playhouse http://www.fbplayho… to Forestburgh Playhouse
The Full Monty

United States

I Viaggiattori to Teatro Politeama
The Full Monty

The Little Theatre
Leicester
LE1 6PW
United Kingdom

Leicester Operatic Players to The Little Theatre
The Full Monty

United States

I Viaggiattori to Teatro Nuovo
The Full Monty

Rotherham Civic Theatre
Rotherham
S65 1EB
United Kingdom

Maltby Musical Theatre Group to Rotherham Civic Theatre
The Full Monty

Connaught Theatre
Worthing
BN11 1LG
United Kingdom

Worthing Musical Comedy Society to Connaught Theatre
The Full Monty

Gardyne Theatre
Dundee
DD5 1NY
United Kingdom

Jazz Hands Musical Society to Gardyne Theatre
The Full Monty

62 Russett Avenue
Oshawa ON L1G 3R5
Canada

Oshawa Little Theatre http://oshawalittle… to Oshawa Little Theatre
The Full Monty

625 N 4th Ave
Altoona, PA 16601
United States

Mcgarvey's to Mcgarvey's
The Full Monty

2111 Emmons Rd.
Jackson, MI 49202
United States

Center Stage Jackson http://centerstagej… to Jackson College's Potter Center
The Full Monty

116 N Jefferson St
Dayton, OH 45402
United States

Dare To Defy Productions http://theatrelabda… to Theatrelab Dayton
The Full Monty

.40 Benjamin Rd
Woolwich ON N2V 2J9
Canada

Drayton Entertainment https://www.drayton… to St Jacobs Country Playhouse
The Full Monty

The Courtyard
Hereford
HR4 9JR
United Kingdom

Hereford Musical Theatre Company to The Courtyard
The Full Monty

52 Public Square
Nelsonville, OH 45764
United States

Athenian Berean Community Players http://www.stuartso… to Stuarts Opera House
The Full Monty

P.o. Box 4550
Deland, FL 32721
United States

Sands Theater Center,inc http://www.athensde… to Sands Theater Center
The Full Monty

6200 Pearl Road
Parma Heights, OH 44130
United States

Cassidy Theatre http://www.cassidyt… to Paul Cassidy Theatre And Cultural Ctr
The Full Monty

Box 221, 10 Garrison Landing
Garrison, NY 10524
United States

Philipstown Recreation Philipstown Depot Theatre http://www.philipst… to Philipstown Rec Dept/depot Theatre
The Full Monty

1 Granite Street
1 Granite Street
Westerly, RI 2891
United States

Renaissance City Theatre Dba The Granite Theatre http://granitetheat… to The Granite Theatre
The Full Monty

Mountsorrel Memorial Centre
Loughborough
LE12 7DB
United Kingdom

Christchurch Theatre Club to Mountsorrel Memorial Centre
The Full Monty

20 Bridge Street
Bluffton, SC 29910
United States

May River Theatre Company Inc. http://mayriverthea… to May River Theatre Co. Inc.
The Full Monty

Dronfield Civic Hall
Dronfield
S18 1PD
United Kingdom

Chesterfield Operatic Society to Dronfield Civic Hall
The Full Monty

The Little Theatre
Gateshead
NE8 4JS
United Kingdom

Caprian Theatre Company to The Little Theatre
The Full Monty

7015
Evansville, IN 47711
United States

Stagetwo Productions to Stagetwo Productions
The Full Monty

10 Lea Blvd
Wilmington, DE 19802
United States

Wilmington Drama League http://www.wilmingt… to Wilmington Drama League
(264957)
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